Hello readers welcome to my blog
This blog is related with amazing play by Samuel Beckett; Waiting for Godot.
This play is written by Samuel Beckett. was an Irish novelist, playwright, short story writer, theatre director, poet, and literary translator. A resident of Paris for most of his adult life, he wrote in both French and English.
Some notable works by him
Murphy Watt Molloy Malone Dies
The Unnamable
Waiting for Godot
Endgame
Krapp's Last Tape
How It Is Happy Days
Here I'm going to discuss on Waiting for Godot. A very famous work by Samuel Beckett.
1) What cannection do we see in the setting (“A country road. A tree.Evening.”) of the play and these paintings?
In the above picture we can find the picture drawn by Caspar David Friedrich in 5th September ,1774.In the pic we can find the Setting. This picture is related with the play Waiting For Godot by Samuel Beckett. Here we can take idea in A country road and A tree Evening this concept in Waiting for Godot.
In this picture we can find some romantic notions but not in play. There are two characters who waiting for Godot without any change, except day and night with the hope .one day Godot will come.
But this picture has some fog, mist and darkness.
(2) The tree is the only important ‘thing’ in the setting. What is the importance of tree in both acts? Why does Beckett grow a few leaves in Act II on the barren tree - The tree has four or five leaves - ?
3) In both Acts, evening falls into night and moon rises. How would you like to interpret this ‘coming of night and moon’ when actually they are waiting for Godot ?
4 ) The director feels the setting with some debris. Can you read any meaning in the contours of debris in the setting of the play?
In the background we can see the the rock pieces .It is a symbol of meaninglessness.But things has many interpretation of try to find and Think .so the scene of backgrounds with stones or empty road it is symbolic and it means darkness or hopelessness.
(5) The play begins with the dialogue “Nothing to be done”. How does the theme of ‘nothingness’ recurs in the play?
As we know that everything is for while. Now in play both characters waiting for Godot but he will never come. So there is a meaning to still waiting for Godot? Or not?
So when you got anything it will be not for permanent or for forever. Once you will not value that things. Absurd thing can be necessary and necessary thing can be absurd.
6) Do you agree: “The play (Waiting for Godot), we agreed, was a positive play, not negative, not pessimistic. As I saw it, with my blood and skin and eyes, the philosophy is: 'No matter what— atom bombs, hydrogen bombs, anything—life goes on. You can kill yourself, but you can't kill life." (E.G. Marshal who played Vladimir in original Broadway production 1950s)?
Yes, I'm agree with the statement. This play is positive and pessimistic as well. First take how it is positive, see when they have Hope that Godot will come. Messenger came still they have been be happy but not after that. Hope is the powerful think to get something. The boy said Godot will come tomorrow that gave them positive vibe and they wait again for a day.
7) How are the props like hat and boots used in the play? What is the symbolical significance of these props?
The props like hat and boots are very well symbolically used in this present play. Estragone is a character who like volatile character. Apart from that Vladimir is a rational character. They played game like childish with hat and boots.
Symbol of hat is related with intellectuality of man, in this manner We can see Vladimir was putting his hat over head.
After that the hat over Lucky, is also symbolic. His master said or gave command to think he think. But hat of Estragone it some way not related with intellectuality. He has some attraction of world even he is near to God. Godot is God is also mere illusion.
8) Do you think that the obedience of Lucky is extremely irritating and nauseatic? Even when the master Pozzo is blind, he obediently hands the whip in his hand. Do you think that such a capacity of slavishness is unbelievable?
9) Who according to you is Godot? God? An object of desire? Death? Goal? Success? or...
According to me Godot is just desire or Hope. Not God and success.
Now when we assume Godot is God then we have questions where he/she lives?, what is look? Can he/she listen us ?so there are many questions for god and if they are waiting for Godot then for what ? What will Godot give them?
This question answer is might be death. If they want death it is a ultimate truth of life. Without waiting of Godot they will get it one day.
Now if they want the death, it is their wish, desire of death. So this way we can see that Godot is desire not God. Desire is never die.
10) Do you think that plays like this can better be ‘read’ than ‘viewed’ as it requires a lot of thinking on the part of readers, while viewing, the torrent of dialogues does not give ample time and space to ‘think’? Or is it that the audio-visuals help in better understanding of the play?
Yes, according to me the play waiting for Godot is required to read rather then viewed. Beacuse it has many dialog which has very deep meaning. So when you watch it it gives you meaning but which has deep meaning that watching will not give that meaning but it's give shallow meaning.
The play is related with psychology also ,so One's thinking is necessary to understand that words. So only watching the play it will serve everything.
11) Which of the following sequence you liked the most:
~Vladimir -Estragone killing in question and conversation - while waiting.
~Pozzo - Lucky episode in both acts
~ conversation of Vladimir with the boy.
I like the Pozzo and Lucky episode in both acts.
Not because of the slave and master relationship.but they doing something at list but Vladimir and Estragone is passing the time only. We can take it also that they are still moving one to other place. But Vladimir and Estragone is still waiting at one place. Now they don't now which tomorrow Godot will come. So they have that message about the progress. If you want to do then you should do something for that.
May be the master as Pozzo is the symbol of that we have that interpretation as well. So I like that episode because they also related with phycology.
12) Did you feel the effect of existential crisis or meaninglessness of human existence in the irrational and indifference Universe during screening of the movie? Where and when exactly that feeling was felt, if ever it was?
13) Vladimir and Estragon talks about ‘hanging’ themselves and commit suicide, but they do not do so. How do you read this idea of suicide in Existentialism?
14 ) Can we do any political reading of the play if we see European nations represented by the 'names' of the characters (Vladimir - Russia; Estragon - France; Pozzo - Italy and Lucky - England)? What interpretation can be inferred from the play written just after World War II? Which country stands for 'Godot'?
Pozzo and Lucky the relationship itself gives idea of post colonial. And also the superiority and inferiority. So here Pozzo is as England because England ruled on many countries.
While Lucky is represent as Ireland. Ireland was also a colonial country.
15) So far as Pozzo and Lucky [master and slave] are concerned, we have to remember that Beckett was a disciple of Joyce and that Joyce hated England. Beckett meant Pozzo to be England, and Lucky to be Ireland." (Bert Lahr who played Estragon in Broadway production). Does this reading make any sense? Why? How? What?
Lucky as slave Ireland , pozzo as England , Vladimir as Russia and Estragon as France. Godot stand as Hitlar ( Germany ) or a psychopathic God. As pozzo controlled Lucky same way England trying to control Ireland and Italy.
16) The more the things change, the more it remains similar. There seems to have no change in Act I and Act II of the play. Even the conversation between Vladimir and the Boy sounds almost similar. But there is one major change. In Act I, in reply to Boy;s question, Vladimir says:
Boy what MI to tell Mr. Gotod sir ?
Tell him he has its tell him you so us boss you did see us didn't you? How does this conversation go in Act ii? Is there any change in swimming similar situation in conversation? If so what is it ? what does it signify?
Though the conversation merely seems the same, there are very much significant change in the conversation of act first and second and ending of very first Act when The Boy as a messenger of God/ Godot arrives and Vladimir said to him that Tell the god that we (Vladimir himself and Estragon) are waiting for Godot. Here he used the word we but in another part he used Me.
Boy : what am I to tell Mr. Godot sir?
Vladimir : Tell him.... (He hesitate) ... tell him you saw me and....(he hesitate)... that you saw me
In the second ACT Vladimir turns out as selfish man , He used the word I. From this we also can get idea of thief was saved and the other was dumped. Vladimir want to live his life, may be because of this he says that tells the God you see me. so that he could be saved
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